Ah, so Midsommar was inspired by this! Powerful, distinctive portrayal of an otherworldly village where paganism beliefs have seeped in everywhere and every person functions as part of an organic whole. The affability and peacefulness visible to the eyes are all the more horrifying when underlain by sinister intentions. As we learn everything through the sergeant's eyes, the identification has been built up throughout the entire film and therefore the final wicker man scene comes even harder and stronger, leaving us shiver in total hopelessness. (When the sergeant shouts desperately 'can't you see there is no sun god!', does he have a fleeting doubt about his Lord Jesus Christ too?)

一直以为这部叫《久久热》，导致我正儿八经没看过《女性私密部位粉嫩嫩图片》，铃木和龙泽的卡司错过这么多年 。ps：大叔当年的黄段子吓晕过我好多回，每次都担心老妈敲门，顶撞老师的生命之门现在却找不到可以那么自然调侃的人了。

台湾新浪潮的早期佳作，与光阴的故事、冬冬的假期同一批，比童年往事稍早。我更愿意将这部以回忆为线的儿童青春片看作一种新美学视角下对时代青春过往的重新审视，它的意义就是去意义化，用平实质朴的镜头语言讲述和还原河流一样的生活，用细节支撑跨越十年的时间座标，这就是它对电影的贡献和突破吧。

终于找到个人陪我看鬼片 终于还是为了看余文乐 终于还是没有看懂讲些什么 也许太多时候我都在埋头害怕 算了，顶撞老师的生命之门为了身心健康 我还是应该远离恐怖片。。。

游泳那段拍的真好；我发现我真的很喜欢看摄影机架在车后座的戏。利落切景也很符合剧情了